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De amore (Andreas Capellanus) : ウィキペディア英語版
De amore (Andreas Capellanus)

Andreas Capellanus was the twelfth century author of a treatise commonly titled ''De amore'' ("About Love"), also known as ''De arte honeste amandi'', for which a possible English translation is ''The Art of Courtly Love''. His real identity has never been determined, but has been a matter of extended academic debate. Andreas Capellanus is sometimes known by a French translation of his name, ''André le Chapelain''.
== His work ==
''De Amore'' was written sometime between 1186 and 1190. It was most likely intended for the French court of Philip Augustus. It has been supposed to have been written in 1185 at the request of Marie de Champagne, daughter of King Louis VII of France and of Eleanor of Aquitaine.〔Brian Wilkie and James Hurt, eds. ''Literature of the Western World.'' Vol. 1 5th ed. Upper Saddle River, NJ: Prentice Hall, 2001.〕 A dismissive allusion in the text to the "wealth of Hungary" has suggested the hypothesis that it was written after 1184, at the time when Bela III of Hungary had sent to the French court a statement of his income and had proposed marriage to Marie's sister Marguerite of France, but before 1186, when his proposal was accepted.
John Jay Parry, who edited ''De Amore'', has described it as "one of those capital works which reflect the thought of a great epoch, which explains the secret of a civilization." It may be viewed as didactic, mocking, or merely descriptive; in any event it preserves the attitudes and practices that were the foundation of a long and significant tradition in Western literature.
The social system of "courtly love", as gradually elaborated by the Provençal troubadours from the mid twelfth-century, soon spread. It is often associated with Eleanor of Aquitaine (herself the granddaughter of an early troubadour poet, William IX of Aquitaine), but this is pure conjecture. It has been claimed that ''De Amore'' codifies the social and sexual life of Eleanor's court at Poitiers between 1169 and 1174 because the author mentions both Eleanor and her daughter Marie by name; but there is no evidence that Marie ever saw her mother again after Eleanor's divorce from Louis VII in 1152.

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